Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Gerard ter Borch the Younger
Market in Haarlem

ID: 93593

Gerard ter Borch the Younger Market in Haarlem
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Gerard ter Borch the Younger Market in Haarlem


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Gerard ter Borch the Younger

painted Mother Combing the Hair of Her Child. in 1652  Related Paintings of Gerard ter Borch the Younger :. | De Koestal | The Reading Lesson | The Glass of Lemonade | A mother combing the hair of her child, known as Hunting for lice | Portrait of Francois de Vicq |
Related Artists:
MOLENAER, Jan Miense
Dutch painter (b. ca. 1610, Haarlem, d. 1668, Haarlem). Dutch painter and draughtsman. The surprisingly large oeuvre of this remarkably versatile genre painter displays an inventive symbolism, wit and humour, which identify him as the true forerunner of Jan Steen.
Wilhelm Schubert van Ehrenberg
1630-1676 Flemish Wilhelm Schubert van Ehrenberg Location
Edouard Castres
Swiss 1838 - 1902 Swiss painter. His father was a clock engraver, and he initially trained as an enamellist. He took drawing lessons from Barthelemy Menn and attended the Ecole des Beaux-Arts in Paris from 1859. He soon decided to concentrate on oil painting. He was assistant to the genre and figure painter Eduardo Zamacois y Zabala (1842-71). In the Franco-Prussian War he joined the Red Cross, moving into Switzerland at the beginning of February 1871 with the army led by Gen. Bourbaki. He painted military scenes from sketches carried out on the battlefield and received consistently good reviews, which also brought financial success. He was commissioned by a Belgian panorama company to record the entry of the French army into Switzerland, which he had witnessed in 1871. He spent the winter of 1876-7 on site at Les Verrieres, painting preparatory studies, and in 1881 he completed the panorama, Gen. Bourbaki's Army Retreating into Switzerland (Lucerne, Panorama). He was aided by nine assistants, recruited from among Menn's pupils, who included Ferdinand Hodler. The work was exhibited in Geneva and was brought to a rotunda in Lucerne in 1889. Among panorama paintings it is a work of a high order: despite the colossal dimensions and the barely comprehensible mass of people depicted, the dominant impression is of individual suffering.






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